News

Ana Egge On Tour with Iris Dement

Date Venue City, State
6-Dec Rockwood Music Hall New York, NY
12-Dec S. Broadway Cultural Ctr. Albuquerque, NM *
15-Dec Orpheum Theater Flagstaff, AZ *
23-25 Jan Folk Alliance International New Orleans, LA
29-Jan Three's Brewing Brooklyn, NY
6-Feb The Old Steeple Ferndale, CA *
7-Feb Hopmonk Tavern Sebastopol, CA *
8-Feb Freight & Salvage Berkeley, CA *
9-Feb Auburn State Theatre Auburn, CA *
6-Mar Aladdin Theatre Portland, OR *
7-Mar The Triple Door Seattle, WA *
19-Mar TBA Houston, TX
20-Mar TBA Austin, TX
21-Mar TBA Dallas, TX
23-Apr The Ark Ann Arbor, MI *
24-Apr The Listening Room Grand Rapids, MI *
25-Apr The Listening Room Grand Rapids, MI *
     
  * With Iris DeMent  

Ana Egge UK Tour Dates + Workshop

Oct 28            Kitchen Garden Café - Birmingham
Oct 30            Green Note - London
Nov 2             Sakala - Steyning
Nov 3             Houseboat Jalna - Shoreham by Sea (Workshop)          
Nov 4             Greys - Brighton

Ana Egge Review in No Depression

Ana Egge Strikes a Sonorous Balance on ‘Is It the Kiss’

Halfway through Ana Egge’s 11th record, Is It the Kiss, on the standout track “Hurt a Little,” she gives listeners some touching words of encouragement: “Sometimes the work will be hard if it’s ever gonna work at all.”

The balance between the good and the bad that Egge strikes in that line is found throughout this album. Egge and the characters she creates swing with life’s ups and downs and, because of the rich details she puts into each story, we go along for the ride: Peek from side stage at the Nudie-suit wearing “Cocaine Cowboys” as they beguile their audience; witness the violent tragedy within “Teacake and Janey”; fall terrifyingly in love on “Stay the Night.”

Despite the emotional rollercoaster of Egge’s narratives, there’s a deep ease to the soundscape of Is It the Kiss. It’s an ease that’s equivalent to Sunday morning, or every single day of the summer when you are a kid. Leading the way is Egge’s voice, which is captivatingly sonorous except on the smoky “Oh My My,” where, seemingly overcome with lust, she gasps for air with brilliant results.

The album’s instrumentals radiate with warmth and are illuminated by subtle details like the wind and brass sections arranged by Alec Spiegelman (Cuddle Magic) and the punchy electric guitar work of Big Thief’s Buck Meek. “What Could Be” has an affable groove to it that’s underscored by soft interjections of entwined wind and brass instruments. This knockout combo is used again on “Rise Above,” a track that feels anthemic amid this climate of hate: “Don’t fall for anyone’s reasons to hate someone. We will rise above,” Egge repeats.

As Egge explains, Is It the Kiss was born from feeling “an uneasiness and a deeper need for connection.” Consequently, it’s an album that helps to combat fears and serves as a reminder that with the bad comes the good and to hold onto your loved ones as you swing.

Read the whole article HERE

Ana Egge Featured in Bluegrass Situation 5+5

Music

BGS 5+5: Ana Egge

By BGS Staff

Artist: Ana Egge
Hometown: Brooklyn-based, by way of North Dakota
Latest album: Is It the Kiss

What was the first moment that you knew you wanted to be a musician?

Well it might go back to my first concert seeing Willie Nelson at the North Dakota State Fair when I was 5 or 6. My parents and their friends all listened to his records. We had a poster on the wall at home with animals wearing cowboy hats that quoted him, saying, “Mama, don’t let your babies grow up to be cowboys.” And I remember sitting up on my dad’s shoulders watching this gentle man with a long braid sing and play the guitar for so many people all singing and smiling along. I lived in Ambrose, North Dakota. A very small town of fifty people. That made a huge impact on me.

What other art forms — literature, film, dance, painting, etc — inform your music?

I love to read. One of the songs on my new record was inspired by Their Eyes Were Watching God by Zora Neale Hurston, and what a powerful, deeply felt love story it is! The love between Teacake and Janey practically jumps off the page. I’ve just recently had my mind blown by the insane talent of Anton Chekhov and his short stories.

What’s the toughest time you ever had writing a song?

That’s a good question. It might be “Bully of New York” from the album Road to My Love. It took me about three years to finish that one. And I knew it was so special from the get-go. Sometimes they take a little while, but I couldn’t figure out how to differentiate between the three characters in the song. It’s a true story about hitching a ride with a park ranger in Central Park in the rain and him sharing his stories of his hard life with me while I was daydreaming of my new girlfriend. So many are silently suffering. Lend an ear and you might just lessen the loneliness for a moment.

If you had to write a mission statement for your career, what would it be?

I’ve always wanted to be an artist and a musician. I’ve always wanted to be a good person and to build and make things and share them with people and maybe, just maybe, bring people together in that. To quote Barry Manilow, “I write the songs that make the whole world sing, I write the songs of love and special things, I write the songs that make the young girls cry, I write the songs, I write the songs.”

Which elements of nature do you spend the most time with and how do those impact your work?

I like this question. I feel like my head is so often in the clouds that it helps when I slow down. So air, breathing. And earth, when I get grounded or think of being grounded. It is part of the work.

Read the full article HERE

Folk Alley Review Ana Egge 'Is It the Kiss' and Premieres Full Album

Hear It First: Ana Egge, 'Is It the Kiss'

by Kelly McCartney

Great songs — honest songs — don't only give us a lens through which we can see their writers; they give us a look inside ourselves. They connect us to our own hearts, as well as each others', across time, space, and every other barrier imaginable. They teach us and reach us, heal us and reveal us, no matter who, where, and when we are in this world.

With her new release, Is It the Kiss, Ana Egge adds some great, honest songs to the collective consciousness — songs that show us her heart in order that we might see our own reflected in it. There is sorrow here, and suffering. But so, too, exists hope and calm amidst the hurt and chaos. Egge makes sure of that, time and again, letting us hear every nuance of her voice. The cracks, the slides, the strains, the breaths — it's all right there on display. That, combined with her deft guitar playing and intriguing production, and this album creates a world of its own, with sonic textures so intimate that you can't help but be pulled so deeply in.

Off the top, the laid-back country-folk of “Cocaine Cowboys” feels like a classic Emmylou Harris or Linda Ronstadt tune. From there, the set moves into the easy, but effective, woodwind- and horn-dotted shuffle of “What Could Be.” Egge's in no rush to get anywhere on any of these songs, relaxing into them, the sparse production lifting her with the invisible strength of a thousand clouds.

Throughout, the album's smooth soulfulness is grounded far more in purpose than play. Just because the singer's in no rush doesn't mean the song's have no urgency. Egge has said that they emerged all at once, “in a bit of a fever.” Their need to be heard is most obvious in the devastation of stories like those in “Teacake and Janey” and “James.” But it's also there in the optimism of “Rise Above” and “Hurt a Little.”

Is It the Kiss continues to deliver on the promise of Ana Egge's heart-revealing writing and, in doing so, consistently peels back the layers of the listener's defenses.

The Boot Premieres Ana Egge cover "Ballad of the Poor Child" Featuring Iris DeMent

Singer-songwriter Ana Egge is debuting her new take on the song "Ballad of the Poor Child," featuring fellow artist Iris DeMent, exclusively for readers of The Boot.

Written and originally released by folk artist Diana Jones in 2009, "Ballad of the Poor Child" has a message that continues to be relevant today, both due to current events and as wealth inequality only continues to worsen. "Tell the troubles of the poor child, for their voices are too small," Egge and DeMent sing in the chorus. "Let them a drink a cup of comfort / Let them sing among us all."

According to Egge, performing "Ballad of the Poor Child" in an era when families are being separated at the U.S. border and poverty wreaks havoc across the globe was particularly emotional. "When I first heard [it], it hit me hard and made me cry," Egge tells The Boot, adding that the song also made DeMent cry when Egge played it for her.

"This song is for all of the children suffering from poverty, illness and injustice here at home, on our borders and all over the world," Egge says. "So many of us want to be able to do something. Maybe speaking up and out for those who cannot is the first step."

Based in Brooklyn, N.Y., Egge is currently preparing to release a brand-new album, Is It the Kiss, on which "Ballad of the Poor Child" appears, on Sept. 6. Alec Spiegelman, known for his work with Okkervil River, Pokey LaFarge and more artists, produced the project.

Read the full article and Listen to "Ballad of the Poor Child"

 

Singer-songwriter Ana Egge is debuting her new take on the song "Ballad of the Poor Child," featuring fellow artist Iris DeMent, exclusively for readers of The Boot. Press play below to listen.

Written and originally released by folk artist Diana Jones in 2009, "Ballad of the Poor Child" has a message that continues to be relevant today, both due to current events and as wealth inequality only continues to worsen. "Tell the troubles of the poor child, for their voices are too small," Egge and DeMent sing in the chorus. "Let them a drink a cup of comfort / Let them sing among us all."

 

According to Egge, performing "Ballad of the Poor Child" in an era when families are being separated at the U.S. border and poverty wreaks havoc across the globe was particularly emotional. "When I first heard [it], it hit me hard and made me cry," Egge tells The Boot, adding that the song also made DeMent cry when Egge played it for her.

"This song is for all of the children suffering from poverty, illness and injustice here at home, on our borders and all over the world," Egge says. "So many of us want to be able to do something. Maybe speaking up and out for those who cannot is the first step."

Based in Brooklyn, N.Y., Egge is currently preparing to release a brand-new album, Is It the Kiss, on which "Ballad of the Poor Child" appears, on Sept. 6. Alec Spiegelman, known for his work with Okkervil River, Pokey LaFarge and more artists, produced the project. Visit AnaEgge.com for more details.

Listen to Ana Egge feat. Iris DeMent, "Ballad of the Poor Child":

Read More: Ana Egge feat. Iris DeMent, 'Ballad of the Poor Child' [Premiere] | https://theboot.com/ana-egge-iris-dement-ballad-of-the-poor-child/?utm_s...

Ana Egge "Hurt a Little" Included in Rolling Stone 10 Best Country and Americana Songs to Hear Now

Rolling Stone:  “The first step is always learning how to fall,” Ana Egge sings over a chugging, bare-boned rhythm during this song’s first verse. “Hurt a Little” eventually grows into something larger, with keyboards and coed harmonies filling the spaces between Egge’s plaintive vocals and glass-half-full perspective. A full-length album, Is It the Kiss, is due in September.

READ the complete article HERE.

American Songwriter Debuts Ana Egge Song and Video “Hurt A Little” (Featuring Buck Meek)

Photo by Shervin Lainez

Ana Egge will release a new album, Is It The Kiss, on September 6 via StorySound Records. The new album features nine originals and one Diana Jones cover. Alongside her album announcement, Egge shared a new collaboration with Big Thief guitarist Buck Meek, “Hurt A Little,” premiering below. 

“Hurt A Little” catches Egge in a vulnerable state, reminiscing over past relationships and laughing at the inevitability of romantic pain. A soft snare beat propels the song forward as Egge encourages others to power through the pain with her hard-earned relationship wisdom. Meek adds subtle flourishes of rock and pop with his electric guitar. 

“When you fall for someone, that doesn’t mean that it’s a one-time choice to be with them. Every day you wake up and choose” Egge says about “Hurt A Little.”

Alec Spiegelman, known for work with artists like Amanda Palmer and Okkervil River, produced Is It The Kiss, with Steve Addabbo mixing the LP.  Meek, Spiegelman and Brooklyn producer/drummer Robin MacMillan engineered the album. 

WATCH the video directed by Lessa Millet

Ana Egge's "Cocaine Cowboys" Video Premiere on PopMatters

Ana Egge Weaves a Honky-Tonk Romance in "Cocaine Cowboys" (video premiere)

Ahead of her next album, Is It the Kiss, folk artist Ana Egge sweetly ruminates over classic country tales with her new single, "Cocaine Cowboys".

"This one started out as a song in tribute to life on the road and the camaraderie and friendship of bandmates and it quickly crossed into territory of honky-tonk life on the road," says Ana Egge, reflecting on her new single, "Cocaine Cowboys". Hailing from her upcoming album, Is It the Kiss, Egge's latest is a mellow, sweetly ruminant folk tune that explores the romantic haze surrounding the stories of old-school country stars.

Egge continues that it's about "The impossibility of a hick from the country raised on a farm writing a song and becoming a wealthy star by singing his heart out and touring around the country in an old sedan. That's one side of romance I've always been interested in. Music, the open road, adventure and friendship deep as the songs we dive into as a band and come out of together on the other end."

Produced by Nancy Howell and Mark Lerner, the music video for "Cocaine Cowboys" is fittingly cute. Featuring a winsome collection of props and highlighting a cast of famed artists like Loretta Lynn, Patsy Cline, Charley Pride, and Hank Williams, it does well in accentuating the kind of affable romance that Egge is aiming for. Its gentle melodies, subtly awash with traditional country callbacks, make for an earwigging roots number supported by Egge (vocals, guitars), Iris DeMent (harmony), Matt Davidson (bass, harmony), Alex Hargreaves (violin), Buck Meek (electric guitar), and Alec Spiegelman (flute, pump organ, piano, beats).

Is It the Kiss is due for release on 6 September via StorySound Records. It is now available to pre-order.

Watch the VIDEO HERE

Ana Egge New Album Set For September 6 Release

Ana Egge Announces New Album Is It The Kiss Out September 6 via StorySound Records

Produced by Alec Spiegelman (Cuddle Magic), with guest appearances by Iris DeMent, Matt Davidson (Twain), Alex Hargreaves, and Buck Meek (Big Thief).

Is It the Kiss, Ana Egge’s eleventh album, has nine originals and one cover (Diana Jones), and features her singularly soulful singing and songwriting, which according to Steve Earle sounds “like she’s telling us her deepest, darkest secrets.”

The country side of things is well-represented on the album by pedal steel (Matt Davidson of Twain) and fiddle (Alex Hargreaves) and by the songs “Cocaine Cowboys” and her affecting duet with Iris DeMent on a cover of Diana Jones’ “Ballad of the Poor Child.” But this is something of a soul record. The tracks are grounded by the Brooklyn indie-all-star rhythm section of Jacob Silver and Robin MacMillan, the slow grooves are sweetened by horns like molasses (Cole Kamen-Green and Adam Dotson), and at the center of it all is Ana’s guitar, that sounds like it knows something about how Steve Cropper and Curtis Mayfield could delicately, but determinedly, provide a sweetly-beating funky heart. Plus there are alt-guitar flashes by Buck Meek (Big Thief) as well as wind and brass arrangements from multi-instrumentalist, arranger, and producer Alec Spiegelman (Cuddle Magic).

Is It The Kiss serves as the follow up to last year's White Tiger, released to wide spread acclaim from UPROXXBillboardRolling Stone Country, NPR Music's New Music FridayNo DepressionAquarian WeeklyFolk Alley and many more.

Tracklist:

1. Cocaine Cowboys

2. What Could Be

3. Oh My My

4. Ballad of the Poor Child

5. Hurt a Little

6. Teacake and Janey

7. James

8. Rise Above

9. Stay The Night

10. Chasing Rabbits In The Sun

Ana Egge On Tour in US and UK This Fall

Aug 3             The Owl                                        Brooklyn, NY
Aug 23-24     Fayetteville Roots Festival           Fayetteville, AR
Sept 12          Radio Café (AmericanaFest)        Nashville, TN
Sept 11-15    Official AmericanaFest Showcase Nashville, TN
Sept 20          Philadelphia Folk Song Society   Philadelphia, PA
Sept 21          Brooklyn Americana Festival      Brooklyn, NY
Oct 2              City Winery                                  Boston, MA with Iris Dement
Oct 3              Stone Mountain Arts Ctr.             Brownfield ME with Iris Dement
Oct 4              Strand Theater                              Rockland, ME with Iris Dement
Oct 5              Colonial Theater                            Bethlehem, NH with Iris Dement
Oct 18            Lizard Lounge                                Cambridge, MA
Oct 19            Argyle Brewing                               Cambridge, NY
Oct 20            St. Lawrence Arts Ctr.                   Portland, ME
Oct 25            House of Love                                Brooklyn, NY (House Concert)
Oct 28            Kitchen Garden Café                     Birmingham, England UK
Oct 30            Green Note                                    London, England UK
Nov 2             Sakala,                                           Steyning, England UK
Nov 4             Greys                                              Brighton, England UK
Nov 10           East Rock                                       New Haven, CT

Relix Magazine Reviews "Years in the Making"

Loudon Wainwright III: Years in the Making

By Jeff Tamarkin

Loudon Wainwright III, the singer-songwriter still known best for his sole charting single, 1972’s “Dead Skunk,” despite having written and recorded dozens of better songs, calls this collection his “audiobiography.” For the release, Wainwright went into his personal archives—so far back that his birth certificate is among the treasures pictured in the accompanying hardcover—and dug out 42 home recordings, live cuts and other previously unreleased tracks. It’s all over the place, to be sure, but Wainwright is an organized kind of fellow so the two discs are divvied up into seven thematic sections, among them songs for (or from) kids, love songs, folk, rock and more. Don’t like one type of song? Move along then. But you won’t want to because there are little gems tucked in throughout, from the homey 1974 duet on Dylan’s “You Ain’t Goin’ Nowhere” with then wife Kate McGarrigle to a birthday poem from Wainwright’s three young kids, each now a popular artist in his/her own right. Some of the tunes stretch back decades, like the cover of “Smokey Joe’s Cafe” recorded at My Father’s Place on Long Island in 1977; others are more recent, including 2014’s “It Ain’t Gaza,” which concludes that it just ain’t. Most fall somewhere in between and there are plenty of surprises that’ll please longtime acolytes (“Your Mother & I,” with Bill Frisell on guitar), even if they won’t win over those still stuck in “Skunk”-ville when it comes to LWIII.

New from StorySound Records! Carol Lipnik and Rachelle Garniez Video for "Songs To Aging Children Come"

Carol Lipnik and Rachelle Garniez pull out all the psychedelic stops on "Songs to Aging Children Come." Musically and visually their interpretation works both as an homage to the great Joni Mitchell and a meditation upon the curiously timeless 60s culture.

Watch the video HERE

Suzzy Roche Interview on Wisconsin Public Radio

Suzzy Roche shares loving memories of sister Maggie Roche and talks about the album 'Where Do I Come From: Selected Songs' of Maggie Roche on the program 'Beta' from Wisconsin Public Radio.

Suzzy Roche Remembers Her Sister As Big-Hearted, Powerful Musician
By Doug Gordon
 

Maggie Roche was a member of the trio, The Roches, along with her sisters Terre and Suzzy.

The Roches created distinctive harmonies together for almost 40 years until Maggie died in January 2017 at age 65 after a long battle with breast cancer.

Suzzy recently put together a collection of songs by Maggie to honor her memory and music. It's called "Where Do I Come From."

As Suzzy told WPR's "BETA," her about a year before she could start the project.

"When Maggie died, in the last couple of weeks, she asked me to do something with her music. And, you know, then she died and then four months later, my mother died," Suzzy said. "So the whole year was just a complete black time for me. And it wasn’t until the next year that I actually started to think what am I going to do? And so Dick Connette from StorySound Records told me that he would help me. And so then I began the process of going through all the material and all the music that she had left and trying to put together something that I felt would represent her life’s work."

The two-CD set features four previously unreleased recordings, including the title track. Suzzy had to sift through many boxes of tapes and cassettes before she discovered "Where Do I Come From."

"I went through everything and I found that little song. I think it was probably the last song she wrote. It was very recent and I just was so struck by it."

"I do think that Maggie was having a very hard time in the last few years of her life," Suzzy continued. "She was ill and she didn’t tell anyone. And I think she felt very alone. But I also know that she was very interested in the refugee crisis around the world and the migrants. And I know that because I found also among her things all these places where she was donating. So I think part of her really identified with the feeling of being misplaced or displaced from her own life."

Listen to the full interview HERE

LA Times Review Loudon Wainwright III Surviving Twin

Review: 'Loudon Wainwright III: Surviving Twin' blurs the lines between father and son

Singer Loudon Wainwright III stars in his one-man show, "Surviving Twin," which premiered on Netflix on November 13.

In his one-man show "Surviving Twin," first performed in 2013, singer-songwriter Loudon Wainwright III created a "a posthumous collaboration" with his father, Life magazine columnist Loudon Wainwright Jr., alternating his songs with his old man's essays.

A story of love and competition, the show has been recorded for posterity as a Netflix special, directed by Christopher Guest and executive produced by Judd Apatow, the latter of whom has used the singer as an actor in his TV series "Undeclared" and the movie "Knocked Up," which also included his songs on the soundtrack. (The actor Daniel Stern directed “Twin” for the stage.)

In his one-man show "Surviving Twin," first performed in 2013, singer-songwriter Loudon Wainwright III created a "a posthumous collaboration" with his father, Life magazine columnist Loudon Wainwright Jr., alternating his songs with his old man's essays.

A story of love and competition, the show has been recorded for posterity as a Netflix special, directed by Christopher Guest and executive produced by Judd Apatow, the latter of whom has used the singer as an actor in his TV series "Undeclared" and the movie "Knocked Up," which also included his songs on the soundtrack. (The actor Daniel Stern directed “Twin” for the stage.)

Wainwright, who studied acting and directing at Pittsburgh's Carnegie Tech (before it was Carnegie Mellon), has a decent string of screen credits, including "Big Fish," "Parks and Recreation," "The 40-Year Old Virgin," Guest's "For Your Consideration" and the TV series "M.A.S.H.," on which he briefly had a recurring role. That is to say, he can remember lines and deliver them with intention.

Filmed at North Hollywood's El Portal Theatre before an audience not entirely of Wainwright's generation — he turned 72 in September and is fit and in fine voice — the show premiered on Netflix on Tuesday.

At stage right, there's a piano, with a ukulele case atop it. At center, upon a patterned carpet, a table (holding a water glass and carafe), a chair flanked by stands for guitar and banjo, and a rack for a suit, which will eventually make its way onto the singer's body. Stage left, there’s a video screen.

Read the full article HERE

The studio recording of Surviving Twin will be released on StorySound Records on November 16.

Maggie Roche Song "Stayin' Home" Included in New York Times Playlist

The New York Times

The Playlist: A ‘Springsteen on Broadway’ Surprise, and 12 More New Songs Hear tracks by Carly Rae Jepsen, LCD Soundsystem, Maggie Roche and others.

By Jon Pareles, Jon Caramanica and Giovanni Russonello

The songs Maggie Roche (1951-2017) wrote to sing with her sisters, Suzzy and Terre, as the Roches and on her own sidestepped categories the way they evaded pop symmetries. “Lose it or abuse it/the public will refuse it,” she decided in this unreleased demo from a profound posthumous collection, “Where Do I Come From.” Her songs were acoustic but not folk music, deeply personal but not introverted, amusing but deeply barbed and too subtle for mass popularity, even as they deeply reached many listeners. “Stayin’ Home” juggles pop ambition against its obstacles — and, in one verse, some sexual harassment — and concludes with a couplet only she could conceive: “You’ve got a lot of talent but you don’t know how to use it/You ought to go into country music.” JON PARELES

Listen to the song HERE.

Read the full article HERE.

Maggie Roche 'Where Do I Come From' Featured on NPR "New Music Friday"

New Music Friday For Oct. 26: The 8 Albums You Should Hear Now

NPR ‘New Music Friday’ featuring “Stayin' Home" a previously unreleased demo recording from the collection 'Where Do I Come From' Selected Songs by Maggie Roche.  Robin Hilton and Ann Powers discuss the release and talk about the power of Maggie’s songwriting. 

For those who don’t, know Maggie Roche was in a group called the Roches with her two sisters, Suzzy and Terre, and I honestly can’t think of a more important songwriter and more important group, and Maggie is the songwriter’s songwriter in that trio. I think of the Roches as the great forgotten singer/songwriter group, cult favorites of aficianados of the form. How to explain what Maggie Roche does as a songwriter - she was the most wry, the most deeply observational, the most, at once, sort of down home and philisophical songwriter that I know of. I just long for people to hear her music so much, so I’m so excited that this collection exists for the world to discover. - Ann Powers NPR All Song Considered

Listen to the full podcast HERE

Loudon Wainright III "Surviving Twin" Netflix Original Special Launches November 13

Loudon Wainright III "Surviving Twin" Netflix Original Special from Executive Producer Judd Apatow and Director Christopher Guest and Produced by Funny Or Die Launches November 13

Grammy-winning singer Loudon Wainwright III reflects on the close but complicated relationships between fathers and sons in this intimate evening of music and storytelling, from executive producer Judd Apatow and director Christopher Guest.

"I am so thrilled that Netflix has given Loudon Wainwright the opportunity to share this wonderful show with their audience.  I think Loudon Wainwright is a national treasure." Said Executive Producer and Founder of Apatow Productions, Judd Apatow.

"Loudon Wainwright has written a brilliant show. It is funny, emotional, and filled with his incredible songs.” Said Executive Producer and Director, Christopher Guest.

Loudon Wainright III Surviving Twin is produced for Netflix by Funny Or Die and Apatow Productions. Written and performed by Loudon Wainright III and directed by Christopher Guest. Executive producers are Loudon Wainright III, Judd Apatow, Christopher Guest, Funny Or Die’s Caitlin Daley and Mike Farah and Apatow Productions’ Josh Church.

Loudon Wainwright III Lists Top 10 Protest Songs in New York Times Opinon Page

Them’s Fightin’ Words: 10 Great Protest Songs

To the barricades! And don’t forget the lyric sheet! With midterm elections approaching, a look back at some anthems and ditties that have challenged the status quo.

By Loudon Wainwright III

Mr. Wainwright is a singer-songwriter whose latest album is “Years in the Making.

Oct. 12, 2018

Political persuasion is rarely friendly, and there will be lots more yelling, blaming, placard-waving and marching before we get to the November midterm elections. But I hope there will be some fervent singing as well — maybe even some of what used to be called protest songs.

I think of 16-year-old me in 1963, hitchhiking to the Newport Folk Festival with my Martin D-28 guitar to witness Pete Seeger, Bob Dylan, Joan Baez and the Freedom Singers, all swaying with locked hands and singing “We Shall Overcome.” Then there’s the memory of Toby Keith on TV four decades later, whipping a huge, scary outdoor audience into a frenzy with “Courtesy of the Red, White and Blue.”

Throughout my career, I have come up with musical harangues, broadsides, laments, parodies and political potshots, and my forays into folk agitprop tend to be laced with humor, in hopes of encouraging members of the audience to laugh at those they might fear and oppose.

In the spring of 2016, I wrote a song about the candidacy of Donald Trump called I Had a Dream.” (“His little finger on the button, he was doin’ his thing/Our new national anthem was ‘My Ding-a-ling.’”) The whole thing seemed like a joke back then — the song, him, the idea that the guy could be elected president. When I performed the number during that summer and early fall, most people loved it, and why wouldn’t they? I was preaching to a choir. There were a few unhappy campers, people who walked out in a huff, but part of my job description is ruffling feathers, so I took their displeasure in stride.

I haven’t been singing “I Had a Dream” much these last two years, although not long ago I came up with a little thing called Presidents Day. (“There’s a reckoning coming in November they say/In the meanwhile it’s unto Robert Mueller we pray.”)

Read the full article HERE

Billboard Magazine Debuts Video for Maggie Roche Song "Stayin' Home"

Suzzy Roche Shares 'Stayin' Home' From Sister Maggie's Posthumous Solo Release

by Gary Graff
photo by Irene Young

Suzzy Roche's goal for the posthumous Maggie Roche compilation Where Do I Come From was "for her voice to be heard as much as possible." But the video for the unreleased 1972 demo "Stayin' Home," premiering exclusively below, provides a visual souvenir of the late singer-songwriter, too.

The clip, which features Roche dancing along to the song, was the idea of StorySound Records chief Dick Connette, who's releasing the compilation. "Right after she died I discovered a video of her dancing," Suzzy tells Billboard. "Maggie was very quiet and shy on stage, but then all of a sudden she would go and do this dance during the middle of one of the songs, which was so great. Dick took this dance and reconfigured it a bit and said, 'Why not let it be raw Maggie?'

"It really is her, and a different side of her. That's the thing I wanted, to put out the most possible information about her."

Suzzy acknowledges that the Where Do I Come From project has been "quite an emotional roller coaster" for her. It came from a direct charge from Maggie, who passed away during January 2017 from cancer at the age of 65. "In the last week of her life she asked me to please do something with her music," Suzzy recalls. "I was completely devastated by her death, and it really took me a year to even lift my head because my mother died four months later. It was a terrible year."

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