September 2018

Loudon Wainwright III's "Surviving Twin" at The New Yorker Festival with Judd Apatow and Christopher Guest

On Saturday October 6 The New Yorker Festival present “Surviving Twin”

With Judd Apatow, Christopher Guest, and Loudon Wainwright III. Moderated by John Seabrook. Featuring a sneak peek from the upcoming Netflix special “Surviving Twin” and a live performance by Wainwright and Guest.

Sat, Oct. 6  |  7:00 pm  |  90 minutes  |  Directors Guild Theater 110 West 57th Street, NYC.  Purchase tickets HERE

The audio version of "Surviving Twin" will be released November 16 on StorySound Records. 

Where Do I Come From: A Moving Collection Of Songs By Maggie Roche To Be Released October 26

Where Do I Come From, a 32-track, 2CD collection of songs by Maggie Roche (1951-2017), will be released by StorySound Records on what would have been the beloved singer's 67th birthday, October 26th, providing a immersive and poignant look at one of our most original American songwriters.

Maggie, who passed away in 2017 after a long struggle with cancer, was at the center of the long-running and much-admired music group The Roches, created with her sisters Terre and Suzzy. Maggie composed her songs for three voices, fashioning the signature sound of The Roches. Where Do I Come From spans her entire music career, from her 1975 duo album with Terre, through The Roches 2007 reunion record. The collection, which has been compiled in close collaboration with Suzzy, also features four previously unreleased recordings: "Stayin’ Home," an early song that provides a snapshot of a young feisty Maggie as she ventures out into the world. "Down The Dream," a live studio track recorded after word that Columbia Records had doubts about the progress Maggie and Terre were making in their recording sessions. (Another version of the song wound up on the 1975 duo album Seductive Reasoning, but this demo is classic, unedited Maggie.) "Where Do I Come From," the title track, was found among Maggie’s things after her death and is most likely the last song she wrote. The newly recorded Christmas song, "Christmas Love," was not written in time to make it onto We Three Kings, the Roches cherished 1990 Christmas album. Her family, in loving memory, sings "Christmas Love" for this collection.

"In the last weeks of Maggie’s life, we spent countless hours talking, laughing, crying, and reminiscing about our amazing journey together," says Suzzy. "She asked me to take care of her music. One thing she told me several times is that she regretted not making a solo recording. In her absence, this is the closest I could come to fulfilling her wish."

Maggie was a soft-spoken, radical soul who sought, above all, authenticity and freedom of expression. She’d have to be considered a feminist voice, well ahead of her time. Isolating her songs from the rest of The Roches catalogue further highlights her unique point of view. This release goes out into the world as a celebration of the life and music of a deep and bold, yet shy artist, whose sensitivity was so keen that the rigors of the music business and public exposure at times seemed to work against her devotion to her own art, which took a front seat to everything else.

Upon her death, Maggie's listeners stepped forward to exclaim their deep connection to her through her music. Where Do I Come From is for those listeners as well as the many who have yet to discover her music.

Track listing for Where Do I Come From

Disc One

1. Malachy’s (from Seductive Reasoning, 1975)
2. Burden of Proof  (from Seductive Reasoning)
3. Jill of All Trades (from Seductive Reasoning)
4. Underneath the Moon (from Seductive Reasoning)
5. West Virginia (from Seductive Reasoning)
6. Stayin’ Home (previously Unreleased demo)
7. Down the Dream (previously Unreleased demo)
8. Hammond Song (from The Roches, 1979)
9. The Married Men (from The Roches)
10. Quitting Time (from The Roches)
11. Pretty and High (from The Roches)
12. This Feminine Position (from Nurds, 1980)
13. Losing True (from Keep On Doing, 1982)
14. The Scorpion Lament (from Keep On Doing, 1982)
15. No Trespassing (from No Trespassing, 1986)
16. Christmas Love (Unreleased studio recording)

Disc Two

1. Speak (from Speak, 1989)
2. Big Nuthin’ (from Speak)
3. Cloud Dancing (from Speak)
4. In the World (from Speak)
5. Nocturne (from Speak)
6. Feeling Is Mutual (from Speak)
7. A Dove (from A Dove, 1992)
8. You’re the One (from A Dove)
9. Can We Go Home Now (from Can We Go Home Now, 1995)
10. You (Make My Life Come True) (from Can We Go Home Now)
11. My Winter Coat (from Can We Go Home Now)
12. A Prayer (from Zero Church, 2002)
13. One Season (from Why the Long Face, 2004)
14. Broken Places (from Why the Long Face)
15. Family of Bones (from Moonswept, 2007)
16. Where Do I Come From (Unreleased home recording)

LA Times Premiere Loudon Wainwright III "Hollywood Hopeful" Video

Video premiere: Watch an animated Loudon Wainwright III wrestle with demons while holed up at the Chateau Marmont in "Hollywood Hopeful"

Thousands of songs have been set in Los Angeles over the decades, and the most famous among them have become anthems: Tom Petty’s “Free Fallin’,” Dr. Dre’s “Nuthin’ But a G Thang,” the Mamas & the Papas’ “California Dreamin’” and Thee Midniters’ “Whittier Blvd.” among them.

Lesser known is the gem “Hollywood Hopeful” by the singer-songwriter-actor Loudon Wainwright III, which has just been given a new animated video that the Times is premiering here. Originally released in 1975, the song is part of Wainwright’s new oddballs-and-outtakes collection “Years in the Making.” The set gathers work from across Wainwright’s four-plus decades as a professional entertainer. “I am a full fledged, grown-up adult/I'm trying make a dent, trying to get a result,” Wainwright sings to open the autobiographical song. “I'm holed up in a Hollywood hotel suite/Tequila to drink and avocado to eat.” 

Read the full article and watch the video HERE

Vogue Magazine Reviews Forthcoming Collection of Maggie Roche Songs and Premiere Video for "Where Do I Come From"

The Roches Are Back (Kind of) With a New, Posthumous Solo Album From a Dearly Departed Sister

If you don’t know The Roches, you really need to stop what you’re doing and listen to, say, Hammond Song" The Roches were three sisters from what they described as “deepest New Jersey” who learned to sing harmony in the back of their parents’ car on the New Jersey Turnpike and then grew up to sing songs that were so clear and sure and so not like other songs in the early ’80s in New York City. The first Roches album was born of failure: Maggie and Terre Roche had gone to England to record as a duo. They’d gotten a record deal thanks to one of their mentors, Paul Simon, who they sang backup for on There Goes Rhymin’ Simon. Record companies wanted a certain kind of album from two women in the early ’80s—i.e., something with an equal amount of power chords and frizzed-out hair—and when the Roches did not appear to be delivering, they were called back from England. “I think the record company was trying to get them to wear certain clothes,” Suzzy Roche, the youngest of the Roches, recalled when I spoke to her the other day. “And at one point the company had one quote unquote coach come in and try to get one of them to get down on her knees during a song. You know, it was weird.”

Thus, the two sisters returned to New York, and their little sister joined up with them. “They said, ‘Screw the music business—we’re going to sing in the streets!’ ” The Roches were born. They started to busk. It was near Christmas. They busked singing holiday songs. Crowds gathered, big crowds. The holidays passed and they added to their repertoire, and, in 1979, the three of them made an album, a crazy beautiful album that was produced by Robert Fripp, who would work with Blondie and Bowie and would say of the Roches (in Suzzy’s recollection): “You will never be hugely successful, but you will influence many people coming after you.”

Maggie Roche 'Where Do I Come From' will be released October 26. 

Read the full article and watch the video HERE

Loudon Wainwright III - Years in the Making Reviewed in Rolling Stone

Review: Loudon Wainwright III Delivers a Warts and All Autobiography on ‘Years in the Making’

The singer-songwriter’s career-spanning new set shows why there’s never been a confessional sage quite like him.

3.5 Stars

As he reminds us album after album, decade after decade, few songwriters have laid out their lives in song as graphically as Loudon Wainwright III. By chronicling his years from post-adolescence to senior citizenry in real time, he’s not only pushed the boundaries of confessional songwriting but allowed those with somewhat more stable lives to live vicariously through his trysts, marriages, divorces, inebriated episodes, quest for success, and bad-dad issues. Pick any point in your life—the arrival of a child, the loss of a parent or two, the amassing of new meds in the bathroom cabinet–and Wainwright will have a song about it. It’s hard to imagine an even deeper dive into his world, but he does that just with this “audiobiography”–two discs of home recordings, low-fi live tapes, album rejects, and other ephemera from an unapologetic narcissist and screwup who still manages to speak direct, universal truths like no one else in his business.

Arranged by topic and rough chronology, Years in the Making starts with “Folk,” where at various points in his life we hear Wainwright singing Dylan and Woody Guthrie. Just as revealingly, he mangles the cringe-worthy folk ballad “I Gave My Love a Cherry,” which devolves into faxed death threats. (It’s the lyrical equivalent of John Belushi smashing Stephen Bishop’s guitar in Animal House.) The grouping of tracks into the section “Rocking Out” almost comically documents the period in the ’70s when the normally one-man-act Wainwright had backing bands and tried to make something akin to commercial pop. A live take of “2 Song Set” now sounds like a glorious-loser country song, and its drunk-at-the-bar “flash in the pan” narrator feels even more pointed in retrospect. (Wainwright’s only hit, “Dead Skunk,” came a few years earlier.) But when he starts a live version of “You Hurt Me Mantra” with an almost uncomfortable parody of a heckler, you can hear why he wasn’t destined for AM radio that often.

Read the full review HERE.